MyAccentWay Journal · American Accent Training

Abishek — Independent Phonetic Evaluation by Jane Timokhin, Ph.D. in Applied Linguistics

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Prof. Alex, Ph.D. Accent Coach
Prof. Alex, Ph.D., Doctor of EducationAccent Coach, Professional Linguist

Independent before-and-after American English pronunciation assessment of Abishek, a Tamil and Indian English speaker, by Jane Timokhin, Ph.D. in Applied Linguistics.

Native language: Tamil  |  Target: General American English  |  Form: MyAccentWay External Pronunciation Evaluation

Section 01

Student and assessment information

ItemDetails
StudentAbishek
Native languageTamil (Indian English)
Target pronunciationGeneral American English
Assessment typeComparative phonetic and prosodic evaluation
Speech materialAbishek’s before-and-after reading recordings
Independent evaluatorJane Timokhin
Academic qualificationsPh.D. in Applied Linguistics
Evaluation dateSeptember 23, 2025
Recording AAbishek — before training
Recording BAbishek — after training (9 months)
Was the evaluator informed which recording was made before training?No
Was the evaluator involved in the student’s accent training?No
Professional, financial, or personal relationship with MyAccentWay (including payment for this evaluation)Paid evaluation. MyAccentWay paid the evaluator for this evaluation.

Student testimonial

Abishek, MyAccentWay American accent training student
LinkedIn

AbishekData Science Engineer
Tamil and Indian
English speaker

“I feel confident enough to speak American English!”

Interactive American Accent Training
9monthsof hard work and dedication
Before trainingIndependent evaluation62/100

Listen to the starting point0:00

After trainingIndependent evaluation84/100

Listen to the result0:00

Pronunciation scores by Jane Timokhin, Ph.D. in Applied Linguistics

100 represents a reference benchmark for General American English pronunciation. Scores come from an independent phonetic evaluation, not a standardized test.

Professional phonetic evaluationRead Jane Timokhin’s Full Sound-by-Sound Phonetic Evaluation →

LinkedIn

Prof. AlexPh.D. Accent Coach,
Doctor of Education,
and professional linguist

MyAccentWay pronunciation training incorporates educational conditions developed and experimentally investigated in Prof. Alex’s doctoral research. The following before-and-after recordings document individual students’ pronunciation development through personalized instruction based on these research-informed principles.

This before-and-after comparison documents Abishek’s individual pronunciation development in MyAccentWay’s research-based pronunciation training, which incorporates educational conditions developed and investigated in Prof. Alex’s doctoral research. It is an individual student case, not part of the original experiment.

Section 02

Evaluation methodology

Comparative auditory-phonetic analysis of two speech recordings, in Jane Timokhin’s words: “I evaluated the pronunciation characteristics demonstrated in two recordings using a weighted, five-category auditory-phonetic framework. I considered both segmental production (consonants and vowels) and suprasegmental features (stress, intonation, rhythm, and connected speech). The same categories and maximum scores were applied to both recordings.”

The evaluator listened to both recordings and assessed the pronunciation features below against a General American English reference, identifying the sounds produced accurately, the sounds showing non-native phonetic influence, and the differences between the two recordings.

Scores describe pronunciation relative to the specified reference, not overall English proficiency or communication ability.

Section 03

Consonant-by-consonant evaluation

Phonetic targetRecording A (before)Recording B (after)
/θ/ thinkReplaced, softened, or produced without enough tongue-to-teeth control.More accurate tongue-to-teeth placement for clearer voiceless TH.
/ð/ this, they, other, theLost natural voicing or came too close to another consonant.Clearer voiced TH.
American R work, more, around, veryLess stable, especially inside words and in connected speech.Stronger American R.
/v/ very, voice, vowelWeakened or moved toward /w/ in some contexts.Clearer difference between v and w.
/w/ work, way, wantOver-rounded or confused with /v/.More natural American lip rounding and timing.
/t/Sounded too dental, too hard, or too strongly released in some positions.More American timing and release, including more natural /t/ behavior in phrases.
/d/Sounded too dental or heavy.More natural American /d/ placement and smoother movement into surrounding vowels.
Flap /ɾ/ better, city, meetingSounded over-pronounced.More American flap quality in the correct environments.
/p/, /k/ pay, people, professionalLess aspirated at the beginning of stressed words.Stronger American aspiration.
/s/, /z/ is, has, words/s/ sounded sharp or separate; /z/ lost voicing in endings.Better integrated /s/ and clearer voiced /z/ in endings.
/n/, /l/ feel, will, professional/n/ was too dental; /l/ sounded too light or less stable at the ends of words.More American alveolar placement and final L control.
/ŋ/ singFollowed by an extra /g/.Cleaner final -ing sound.
Consonant clusters worked, first, world, askedSimplified or compressed.Cleaner sequences.
Word-final consonantsEndings sounded lighter, reduced, or less complete.Stronger endings, improving clarity and professional speech precision.
Section 04

Vowel and diphthong evaluation

Phonetic targetRecording A (before)Recording B (after)
/i/ sheepSounded shorter, less tense, or less clearly separated from /ɪ/.Clearer high front vowel quality, easier to separate from ship.
/ɪ/ shipMoved too close to /i/.Better short lax vowel control.
/æ/ bad, can, practiceSounded flatter or closer to /ɛ/.More open American /æ/ quality.
/ɛ/ bedBlended with /æ/.Clearer separation between bed and bad.
/ɑ/ hot, job, problemSounded less open.More open American /ɑ/.
/ʌ/ cut, luck, butMoved toward /ɑ/ or another fuller vowel.Clearer American /ʌ/.
/u/ food, moveSounded too tense or not clearly separated from /ʊ/.Cleaner American /u/.
/ʊ/ good, fullSounded too close to /u/.Better contrast between full and fool.
Schwa /ə/Unstressed vowels remained too full, making speech sound syllable-by-syllable.More natural reduced vowels in unstressed syllables.
Section 05

Word stress, rhythm, and connected speech

FeatureRecording A (before)Recording B (after)
Word stressStress sounded too even across syllables.Stronger American word-stress patterns.
RhythmSpeech sounded more syllable-by-syllable.More American stress-timed rhythm with stronger contrast between stressed and unstressed parts.
Connected speechWords sounded more separate.Better linking, reductions, and flow.
Section 06

American intonation and speech melody

FeatureRecording A (before)Recording B (after)
Sentence stressImportant words may not stand out enough.Clearer focus words in sentences.
IntonationSentence melody sounded flatter or less American.More natural pitch movement, helping speech sound more fluent, confident, and expressive.
Section 07

Scoring framework and results

Assessment criterionWeightBeforeAfterChange
Consonant production25%15/2521/25+6
Vowel production25%15/2520/25+5
Word and sentence stress15%10/1513/15+3
Intonation and rhythm20%12/2017/20+5
Connected speech15%10/1513/15+3
Total100%62/10084/100+22

Criteria applied

  • Consonant production (25%): accuracy and consistency of consonant articulation, voicing contrasts, consonant clusters, and phonemic distinctions.
  • Vowel production (25%): vowel quality, tense–lax contrasts, diphthongs, duration, and consistency of vowel distinctions.
  • Word and sentence stress (15%): lexical stress, prominence, stressed and unstressed syllables, and vowel reduction.
  • Intonation and rhythm (20%): pitch contours, timing, rhythmic organization, and distribution of prominence.
  • Connected speech (15%): linking, reductions, assimilation, and transitions between sounds and words.

Interpretation

The first recording received 62/100 and the second received 84/100, a difference of 22 points (approximately 35.5% relative to the first score). Scores increased in all five categories. These ratings describe pronunciation performance within this assessment framework; they are not standardized measures of native-speaker equivalence. Comparison of two recordings alone does not establish which instructional intervention caused the differences.

Section 08

Independent professional findings

1. Which pronunciation characteristics differ most noticeably between the recordings?

Vowels, American R, TH, consonants, stress, rhythm, intonation, connected speech, and fluency.

2. Which Tamil- and Indian English-influenced patterns are present in Recording A?

Less American vowel contrast, fuller unstressed syllables, more syllable-by-syllable timing, dental and retroflex consonant placement, a less stable American R, substitutions for TH, /v/–/w/ overlap, weaker aspiration, and lighter final consonants and clusters.

3. Which of those patterns changed in Recording B?

Clearer vowels, more stable R, better TH targets, stronger final consonants, and more natural American aspiration and consonant placement.

4. What differences are evident in American intonation, rhythm, and speech melody?

Smoother connected speech and more natural American rhythm and intonation.

5. Which pronunciation characteristics remain different from the General American reference?

After approximately nine months of training, Abishek’s overall pronunciation rating increased from 62/100 to 84/100. The approved evaluation identifies five remaining differences from General American targets: (1) variable rhotic resonance in connected speech, including words such as brother and warning; (2) inconsistent dental placement and frication for TH sounds, as in brother and thought; (3) inconsistent context-appropriate /t/ articulation, including the flap target in water; (4) variable front-vowel height and quality affecting the /æ/–/ɛ/ distinction, as in had and head; and (5) remaining differences in contrastive stress, unstressed-word reduction, and pitch movement across phrases. These findings describe refinement priorities, not measured error rates for individual words.

6. What is your overall professional interpretation of the comparison?

The change is best understood as a full sound-system transformation, not a single sound correction. The comparison shows a shift from English that is clear enough to communicate, but still shaped by the speaker’s original pronunciation system, toward speech that uses more of the pronunciation, rhythm, stress, vowel, and connected-speech patterns associated with General American English.

Section 09

Independent evaluator’s conclusion

Professional summary of findings: Abishek’s pronunciation moved from moderately accented English toward substantially more native-like General American pronunciation, with a 22-point improvement on the evaluation scale. The overall pattern shows a shift from more noticeably accented English toward clearer, more stable General American pronunciation.

Section 10

Evaluator’s declaration

I confirm that the scores, category weights, and assessment descriptions above accurately represent my independent professional evaluation of the recordings. I did not participate in the student’s pronunciation training. My conclusions are limited to the speech samples assessed.

I have disclosed whether I participated in the student’s training and any relevant relationship with MyAccentWay.

The conclusions are based on the pronunciation features identifiable in the recordings. They do not, by themselves, establish the effectiveness of any particular teaching method or represent a standardized clinical or scientific pronunciation test.

ItemDetails
Evaluator’s full nameJane Timokhin
Professional titlePh.D. in Applied Linguistics
SignatureSigned
DateSeptember 23, 2025
Permission to publish the evaluation findings on MyAccentWayYes
Permission to publish evaluator’s name and qualificationsYes

MyAccentWay · 2D Sound Motion Technology

American English Pronunciation: Consonant and Vowel Sounds with 2D Sound Motion Technology

Learning American English pronunciation and the American accent is more effective when you train your speech organs, not only listen and repeat. 2D Sound Motion Technology and Interactive Visual 2D Sound Simulators, developed in 2020 by Prof. Alex, Ph.D. Accent Coach, Doctor of Education, and professional linguist, as part of his interactive teaching model based on his doctoral research in interactive teaching methods, train your tongue, lips, jaw, teeth, airflow, and voice step by step. They train each American sound and more than 30 sound combinations.

What 2D Sound Motion Technology is

2D Sound Motion Technology is an advanced accent reduction and articulation training tool by Prof. Alex. It corrects, develops, and trains each American sound and more than 30 sound combinations through Interactive Visual 2D Sound Simulators.

What Interactive Visual 2D Sound Simulators do

Interactive Visual 2D Sound Simulators are part of 2D Sound Motion Technology, the articulation-training method Prof. Alex created by applying his doctoral research in interactive teaching to American pronunciation. Instead of listening and repeating, students actively train their speech organs. Each simulator uses Interactive 2D mouth movement to train the speech organs (tongue, lips, jaw, teeth, airflow, and voice) to produce each American sound correctly. Every consonant has its own simulator: explore American consonants trained with 2D Sound Motion Technology.

Sample training: the American t sound (aspirated [t])

Practice

Record yourself speaking these words:

Tab · Tacos · Time · Tub · Hotel · Motel · Sit · Pit · Net

Instructions

Play the Interactive Visual 2D Sound Simulator for the American t sound below several times and follow it step by step. Move your tongue, jaw, and airflow together with the simulator and train your articulation.

Interactive Visual 2D Sound Simulator: American unvoiced sound [t]

Practice

Record yourself again speaking these words, but this time focus on the movement of your tongue. Go slow, and you will hear the difference. You’ve got this!

Tab · Tacos · Time · Tub · Hotel · Motel · Sit · Pit · Net

How Interactive Visual 2D Sound Simulators solve pronunciation and speaking problems

  1. Wrong articulationMost pronunciation problems start with the tongue, lips, jaw, or teeth in the wrong position. Each Interactive Visual 2D Sound Simulator trains the correct articulation of one American sound, so the student corrects the cause of the problem, not only the result.
  2. Airflow and voicingMany accent problems come from wrong airflow or voicing: sounds that are too weak, too strong, or voiced when they should be unvoiced. The simulators train airflow and voice together with articulation, step by step, for each American sound and more than 30 sound combinations.
  3. Clear speech and confidenceWhen each sound is trained correctly, words connect into clear American English speech. Listeners can understand you more easily, and speaking at work, in meetings, and on calls becomes more confident.
Prof. Alex, Ph.D. Accent Coach

If you start hearing the aspiration, the short airstream after [t], with one simulator, you can only imagine how successful you can be in 1-on-1 Interactive American Accent Training with Prof. Alex, Ph.D. Accent Coach, where your whole American sound system is trained sound by sound.

In MyAccentWay, the Interactive Visual 2D Sound Simulators are only available in 1-on-1 accent coaching sessions with Prof. Alex.

Prof. Alex, Ph.D. Accent Coach

Prof. Alex, Ph.D., Doctor of Education

Accent Coach, Professional Linguist

About the author

Prof. Alex, Ph.D. Accent Coach, Doctor of Education, and professional linguist, leads MyAccentWay, a structured, research-based American accent training program for non-native English-speaking professionals. He holds a Ph.D. in Education (Theory and Technologies of Professional Education). Prof. Alex’s doctoral research (2017) found that students taught through interactive methods significantly outperformed students taught through traditional methods. He applies these findings in his three teaching methods: Interactive American Accent Training, Cognitive Accent Training, and 2D Sound Motion Technology with Interactive Visual 2D Sound Simulators, which he developed in 2020. He is Editor-in-Chief of Linguistics and Culture Review and also teaches ESL pronunciation at Austin Community College. After training, his students become independent and confident speakers of American English with professional communication.

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